Phonology Basics

Phonetics deals with how speech sounds are actually made, transmitted and
received. Phonology, on the other hand, deals specifically with the ways
those sounds are organized into the individual languages. Phonology is, in
effect, a sub-category of phonetics.
Phonetics is the study of all the sounds
that the human voice is capable of creating whereas phonology is the study of a
subset of those sounds that constitute language and meaning. In the case of
this course, Received Pronunciation (RP) is the subset that is looked at in detail.
Phonology is concerned with how specific languages organize and use speech
sounds. While phonetics is a party of phonology and provides the
means for describing speech sounds, phonology is concerned with the
ways in which these speech sounds form systems and patterns in human language.
Unlike phonetics which is
concerned with sounds as they occur in the real world, phonology, a sub-category of phonetics,
is interested in sounds as they are represented in the mind of the speaker
and in the relationship between these mental representations and the
real-world sounds.
Phoneme
Consonant and
vowel
Articulation
Enunciation
Voiced and
voiceless
Continuant and
non-continuant
Place of
articulation
Manner of
articulation
Distinctive feature is a feature that distinguishes one phoneme from another. A
single feature can be thought of as having two values, plus (+), which
signifies its presence, and minus (-), which signifies its absence. For
example;
|
|
/p/ |
/b/ |
/m/ |
|
Stop |
+ |
+ |
+ |
|
Labial |
+ |
+ |
+ |
|
Voiced |
- |
+ |
+ |
|
Nasal |
- |
- |
+ |
|
Continuous |
- |
- |
+ |
Features are also used to capture a generalization about several
phonetically different sounds. For example, we can capture the similarity
between /m/ and /n/ by using the feature [+nasal]. Groups of sounds
that can be described with a common feature are called natural
classes, e.g. Natural Classes: Bilabials /p, b, m, w/
Now we will think about what a phoneme is. A phoneme is the smallest
contrastive unit in the sound system of a language, a minimal unit that
serves to distinguish between meanings of words. It is an abstract sound stored in our memory. Let us take a look at an
example of phonemes.
Here is an example of the phonemes /r/
and /l/ occurring in a minimal pair.
(1) rip lip
(2) sit seat
(3) flight plight
¡¤ Mental representation of the sounds
¡¤ Finite number of phonemes
¡¤ Organizable (labial, interdental,
alveolar, etc.)
¡¤ Contrastive phonological
segments, distinctive sounds
¡¤ The substitution of one for the other
makes a different word.
¡¤ Phonemes vary from language to language
Example 1: In English, /p/ and /ph/
are not separate phonemes, while in Thai, these two sounds are separate
phonemes: /p/ and /ph/.
/paa/ (forest) vs. /phaa/ (split)
The smallest
identifiable unit found in a stream of speech.
¡¤ Concrete phonetic segments
¡¤ Actual realization of the phonemes
¡¤ Non-contrastive
¡¤ Hard to organize
¡¤ Infinite number of phones
You never hear same phone twice.
The different phones that are the
realizations of one phoneme
¡¤ Predictable
¡¤ Phonetic variants of a phoneme
¡¤ Rule-governed
¡¤ No difference in meaning, no minimal
pairs
Example: [u] and [ ű]
are allophones of the same phoneme /u/.
Articulation is the production of
individual speech sounds. It refers to the manner in
which people produces a sound and the placement of the tongue, lips, and teeth.
What does enunciation
means? It means "moving one's lips, jaw, and tongue actively for clear
articulation."
The active articulator usually moves in order to make the
constriction. The passive articulator usually just sits there and gets approached.
A sound's place of articulation is
usually named by using the Latin adjective for the active articulator (ending
with an "o") followed by the Latin adjective for the passive
articulator. For example, a sound where the tongue tip (the "apex")
approaches or touches the upper teeth is called an "apico-dental".
Most of the common combinations of active and passive articulator have
abbreviated names (usually leaving out the active half).
These are the abbreviated names for the
places of articulation used in English:
BilabialThe articulators are the two lips. (We could say that the lower
lip is the active articulator and the upper lip the passive articulator, though
the upper lip usually moves too, at least a little.) English bilabial sounds
include /p/, /b/, and /m/.
The lower lip is the active articulator and the upper teeth are
the passive articulator.
English labio-dental sounds include /f/ and /v/.
DentalDental sounds involve the upper teeth as the passive articulator.
The active articulator may be either the tongue tip or (usually) the tongue
blade - diacritic symbols can be used if it matters which. Extreme
lamino-dental sounds are often called interdental. English interdental
sounds include /
/
and /
/.

Alveolar sounds involve the alveolar ridge as the passive
articulator. The active articulator may be either the tongue blade or (usually)
the tongue tip -- diacritic symbols can be used if it matters which. English
alveolar sounds include /t/, /d/, /n/, /s/, /z/, /l/.
Postalveolar (palato-alveolar)Postalveolar sounds involve the area just behind the alveolar
ridge as the passive articulator. The active articulator may be either the
tongue tip or (usually) the tongue blade - diacritic symbols can be used if it
matters which. English postalveolars include /
/
and /
/.
RetroflexIn retroflex sounds, the tongue tip is curled up and back.
Retroflexes can be classed as apico-postalveolar, though not all
apico-postalveolars need to be curled backward enough to count as retroflex.
The closest sound to a retroflex that English has is [
].
For most North Americans, the tongue tip is curled back in [
],
though not as much as it is in languages that have true retroflexes. Many other
North Americans use what is called a "bunched r" -- instead of
curling their tongues back, they bunch the front up and push it forward to form
an approximant behind the alveolar ridge.

The active articulator is the tongue body and the passive
articulator is the hard palate. The English glide /y/ is a palatal.

The active articulator is the tongue body and the passive
articulator is the soft palate. English velars include /k/, /g/, and /
/.
Glottal
This isn't strictly a place of articulation, but they had to put
it in the chart somewhere. Glottal sounds are made in the larynx. For the
glottal stop, the vocal cords close momentarily and cut off all airflow through
the vocal tract. English uses the glottal stop in the interjection ^uh-uh
(meaning 'no'). In /h/, the vocal cords are open, but close enough together
that air passing between them creates friction noise.
Place of articulation refers to where
the narrowing occurs - which active articulator gets close to which passive
articulator. Therefore constriction degree refers to how close they get.
The main constriction degrees are:
Stop
The active articulator touches the
passive articulator and completely cuts off the airflow through the mouth.
English stops include: /p/, /b/, /t/, /d/,
/k/, /g/, /m/.
Fricative:
the active articulator doesn't touch
the passive articulator, but gets close enough that the airflow through the
opening becomes turbulent.
English fricatives include /f/, /v/, /¥è/,
/©£/, /s/, /z/, /š/, /ž/
Approximant:
the active articulator approaches the
passive articulator, but doesn't even get close enough for the airflow to
become turbulent.
English approximants include /y/, /w/, /r/,
and /l/.
Affricate:
Affricates can be seen as a sequence of
a stop and a fricative which have the same or similar places of articulation.
They are transcribed using the symbols for the stop and the fricative. If one
wants to emphasize the affricate as a "single" sound, a tie symbol
can be used to join the stop and the fricative (sometimes the fricative is
written as a superscript).
/tš/ as in church
/dž/ as in gentlemen
Your attention! A stop cuts off airflow through the
mouth. Airflow through the nose does not matter - you can have both oral and
nasal stops. Oral stops are often called plosives, including in the IPA
chart. Nasal stops are usually just called nasals.
Approximants that are apical or laminal
are often called liquids (e.g., /r/, /l/). Approximants that correspond
to vowels are often called glides (e.g., /y/ corresponds to /i/, /w/ to /u/).
English has the affricates /tš/ and /dž/. The stop and the fricative halves of
these affricates are at the same place of articulation: the stop is in fact
postalveolar rather than alveolar. We could be explicit about this and
underline the /t/ and /d/ (in IPA, a minus sign under a symbol is a diacritic
meaning "pronounced further back in the mouth"), but most
phoneticians believe this difference in the place of articulation is so
predictable that it doesn't have to be marked.
For now, we
can simply use the terms "voiced" and "voiceless"
to answer the question of what the vocal cords are doing:
¡¤ In voiced
sounds, the vocal cords are vibrating.
¡¤ In voiceless
sounds, the vocal cords are not vibrating.
Ultimately, we will see there are
different ways of being voiced or voiceless. The vocal cords can do a number of
things. They can:
¡¤ be held so wide apart that the air makes
no sound passing through them. (This is nice when you have to breathe 24 hours
a day, but not as useful for speaking.)
¡¤ be held together so that the air passing
through them causes them to vibrate. This is called voicing.
¡¤ be held together so tightly that no air
can pass through at all, as in a glottal stop.
(By varying their tension and position,
the vocal cords can also produce many other effects like breathy voicing,
creaky voicing, and falsetto.)
What the vocal cords are doing is independent of what the higher
parts of the vocal tract are doing. For any place of articulation and any
degree of stricture, you can get two different sounds: voiced and voiceless.
For example, /t/ and /d/ are formed identically in the mouth; the difference is
that the vocal cords vibrate during a /d/ but not during a /t/. (The obvious
exception is the glottal place of articulation - you can't vibrate your vocal
cords while making a glottal stop.)
In each cell of the IPA chart, the symbol for the voiceless
sound is shown to the left and that for the voiced sound to the right. Some
rows only have voiced symbols (e.g., nasals and approximants).
You can write the corresponding voiceless sound using the voiceless diacritic
(a circle under the voiced symbol).
The only three nasal phonemes in English are: "m" as in
"mam," "n" as in "noon," and "ng" as in
"bring."
If you prolong those three sounds while placing your fingers on the
side of your nose, you can feel the resonance. Try it and then alternate making
a non nasal sounds (i.e., any vowel or other consonant).
Although there are only three nasal phonemes, they occur in speech
with an especially high frequency.
The soft palate can be lowered, allowing air to flow out through
the nose, or it can be raised to block nasal airflow. As was the case with the
vocal cords, what the soft palate is doing is independent of the other
articulators. For almost any place of articulation, there are pairs of stops
that differ only in whether the soft palate is raised, as in the oral stop /d/,
or lowered, as in the nasal stop /n/
When you form an /l/ sound, your tongue tip touches your alveolar
ridge (or maybe your upper teeth) but it doesn't create a stop because one or
both sides of the tongue are lowered so that air can flow out along the side.
Sounds like this with airflow along the sides of the tongue are called lateral,
all others are called central (though we usually just assume that a
sound is central unless we explicitly say it's lateral).
The side of the tongue can lower to different degrees. It can
lower so little that the air passing through becomes turbulent (giving a lateral
fricative like [
]
or [
])
or it can lower enough for there to be no turbulence (a lateral approximant).
The /l/ of English is a lateral approximant.
Speech sounds need air to move. Most
sounds (including all the sounds of English) are created by modifying a stream
of air that is pushed outward from the lungs. But it's possible for the air
to be set in motion in other ways. Sounds which use one of the other three most
common air-stream mechanisms are called ejectives, implosives,
and clicks. We'll discuss these possibilities later in the course.
A consonant sound can be described
completely by specifying each of the parameters for place and manner of
articulation. For example, /k/ has the following properties:
|
active
articulator: tongue body (dorsum) |
|
passive
articulator: soft palate (velum) |
|
Constriction
degree: stop |
|
state of
glottis: voiceless |
|
nasal: no |
|
lateral: no |
|
air-stream
mechanism: normal |
So /k/ is a
voiceless oral central dorso-velar stop.